Font cover, content and Double page spread templates

these are the first drafts

question

1.  question of crouse work

   in what ways does your media product use, develop or challenge forms and conventions of real media products? side

2.     How does your media product represent particular social groups? pod

3.     What kind of media institution might distribute your media product and why?

4.     Who would be the audience for your media product?

5.     How did you attract/ address your audience?

6.     What have you learnt about technologies from the process of  construction this product?

7.     Looking back at your preliminary task, what do you feel you have learnt in the progression from it to the full product?

Text fonts and colours

these are some text fonts that I could use for my magazine

 this font style is the most clear one and you are able to read what is says

 this text is hard to read 

 this text you are able to read but not as clear as the first text

 this font is read able but some words are hard to read

the font that I'll use is the stone age font because of the style is bold it easy to read and it stayed out. the way it looks has the rock and roll type of feel.

the colours that I'll be using are white, black, red and yellow the reason for these colour are because the black and red being a dark colour which stands for the dark side of rock i.e drugs alcohol. the white and yellow are bright colours contrast the dark colours

Plan for photos of magazine

the plan for my photos that will be in the magazine will be in an alleyway there would be three people in the photo. They will be wearing rock style clothes. the camera angles will be a wide amount of angles so I would be able to pick the one I think is the best. the only prop I would use is a microphone and drum sticks because when you see them you know it to do with music. the alleyway will make the photo look rough like rock music.

Future PLC

Future is the the institution of classic rock magazine Future started in 1985 and still going strong with a
over 350,000 downloads for music magazines on items like Iphones for Apps. In 2011 they celebrated it 25th anniversary with a special edition magazines. Future produce magazines on print, mobiles and apples items

Liverpool Photos

These are the photos from Liverpool the first shot is when we where outside of the Beatles store the reason for that photo is because the Beatles is iconic in music. The next photo is in the Cavern and it is the stage the shot would be better if I had people in that photo. The next shot is also in the Cavern but it is part of the wall. The last photo is where I got two people too walk down the stairs of the Cavern.

Classic rock honour

Part of the classic rock magazine is they have and honours which is where they hand out awards to the winners the winner have to be a rock artiest and the people that can vote is the readers of the magazine these are the honours for this year.

The Living Legend Award (Sponsored by Orange Amplification): ZZ Top
Event Of The Year (Sponsored by Roadrunner): Ginger Raises £250k
Breakthrough Act Of The Year (sponsored by Olympus): Rival Sons
The Musicians’ Union Maestro Award: Phil Manzanera
Tommy Vance Inspiration Award (Sponsored by Lewis Leathers): Jon Lord
Classic Songwriter Award (Sponsored by Sennheiser): Russ Ballard
Outstanding Contribution (sponsored by Monitor Audio): The Damned
Classic Album Award (sponsored by Eagle Rock): Status Quo ‘Live!’
V.I.P. Award (sponsored by currencies.co.uk): Tony Smith
Metal Guru Award (sponsored by Mascot Label Group): Anthrax
Best New Band (sponsored by Kraken): Tracer
Album Of The Year: Rush ‘Clockwork Angels’
Reissue Of The Year (sponsored by Alchemy): Pink Floyd’s ‘Immersion’
Film/DVD Award: Pink Floyd ‘The Story Of Wish You Were Here’
Band Of The Year (sponsored by Live Nation): Rush
Spirit Of Prog Award (sponsored by USM / UMC): Family
Showman Of The Year (sponsored by Rimowa): Nikki Sixx
Comeback Award (Sponsored by Jeffery West): Lynyrd Skynyrd

The honours is a good way to get the audience of the magazine to interact and feel like the can do something for their idles. This is something that I want to but in my magazine for the fact it mean audiences can interact with my magazine.